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Performances of Maria Stuart run from February 10th to March 6thBook tickets online now

The Facts

  1. Before the time that our play starts, Mary Stuart was held, at the command of Elizabeth 1st, by the Earl of Shrewsbury for fifteen years. He was relieved of his post as warden because Elizabeth feared he had become overly affectionate to his charge. Indeed, even the Earl’s wife, the indomitable Bess of Hardwick, accused him of having an affair with Mary. However, after Bess and Shrewsbury had been separated for some time, Bess declared that her accusations had been no more than “malicious mischief-making”.
  2. Schiller wrote his Mary and Elizabeth considerably younger than they would have been at the actual time that the historical facts of the play take place. Schiller insisted that on stage Mary should appear about 25 years old and Elizabeth no more than 30, whereas in fact Mary was 45 and Elizabeth 53 at the time of the execution.
  3. After years of waiting on the Queen as her favourite, Lord Leicester, desperate for an heir, finally married his mistress, Lettice, when she fell pregnant. When Lettice attended court in the sumptuous attire that befitted a countess, Elizabeth descended on her like an avenging angel. She boxed her ears, shouting, “As but one sun lights in the east, so shall I have but one Queen in England!” Following this public humiliation, Lettice did not dare venture to court again for many years, nor would Elizabeth have allowed it, despite Leicester’s frequent pleas.
  4. The French court in which Mary was raised was notorious and she was exposed from an early age to its promiscuity and corruption. The moral laxity of the court is reflected in two paintings that apparently show a teenaged Mary in the nude. One is the erotic allegorical work, “The Bath of Diana” and the other is “A Lady at her Toilet”, showing a bare-breasted sister in a ruff and headdress. Whether Mary sat for these pictures or if her portrait was superimposed on the body of nude models, the portrayal of her in such poses belies the later image she fostered of a prim and virtuous princess.
  5. Mary had three husbands, each of whom suffered an unpleasant end. The first was the Dauphin Francis, a difficult and withdrawn youth who Mary grew up with in the French court. The syphilis that had killed the royal grandfathers on both sides of Francis’ family had tragic effects on the health of the Dauphin. His growth was stunted and he suffered from eczema that was so terrible it was reported as leprosy. Mary and Francis were very attached to one another and she referred to him as her “sweetheart and friend”. When he fell ill with a virulent inflammation of the ear that spread to his brain and caused an abscess, Mary nursed him devotedly and was inconsolable at his death at not quite seventeen years old.
  6. Mary’s second husband was the young Lord Darnley who was killed in a massive explosion at his quarters in Holywood planned and executed by other members of the Scottish nobility. Although the explosion was so large it reportedly shook the whole town, Darnley’s body was found a little way from his lodgings with not a mark on it. Historians now think that he was either blown clear of his home by the force of the blast and died of internal injuries, or that he escaped before the explosion, only to be waylaid by the waiting assassins and suffocated.
  7. Perhaps the most unfortunate of all, however, was Lord Bothwell, Mary’s final husband. He was implicated in Darnley’s murder and then proceeded to capture and incarcerate Mary, possibly raping her in order to force her to marry him. After civil war and county-wide rebellion, Bothwell was forced from Scotland and was detained by the King of Denmark in Dragsholm. As Bothwell began to show signs of insanity, he was kept in increasingly vile conditions. He was apparently deprived of any company other than those who brought him scurvy-infected meat and drink, which was pushed in at a small window in his cell. Local legend even states that he was chained to a pillar in such a manner that he could not stand. Contemporaries report that he was “overgrown with hair and filth” and that the Lord was being “driven mad by the filth and other discomforts of his dungeon.” After being held like this from 1523 to 1528, Bothwell “died miserably” from his cruel treatment.
  8. Despite the dramatic scene in Schiller’s play, the two Queens never actually met in real life. They did, however, keep up a warm, often sisterly, correspondence by letters written in French. An excellent example of this can be seen in a letter Elizabeth wrote to Mary on hearing of Darnley’s death, urging her to take instant action to disclose his murderers in order to preserve her reputation:

    “Madam: my ears have been so astounded and my heart so frightened to hear of the horrible and abominable murder of your former husband, our mutual cousin, that I have scarcely spirit to write; yet I cannot conceal that I grieve more for you than him. I should not do the office of a faithful cousin and friend if I did not urge you to preserve your honour, rather than look through your fingers at revenge on those who have done you that pleasure, as most people say. I exhort you, I counsel you, I beg you, to take this event so to heart that you will not fear to proceed even against your nearest. I write thus vehemently, not that I doubt, but for affection.”

    However, after the murder Mary was in a state of extreme emotional distress and failed to take Elizabeth’s advice. At the time, this was seen as an admission of her guilt, but modern historians have speculated on the terror she must have been in of her own nobility, as well as her possible breakdown following Darnley’s murder; these are presented as more likely explanations than outright guilt.
  9. Elizabeth often reminded her chancellors who her father was and how much sterner he had been than she. When crossed, she would rail, “Had I been born crested, not cloven, you would not speak to me thus!”
  10. Elizabeth also used her grandfather Henry VII’s claim that her family was related to King Arthur. She also evoked the imagery of her age to bolster herself as monarch. She took for her personal emblems symbols associated with Mary the Virgin, such as the rose, the moon, the ermine and the phoenix and surrounded herself with poets and dramatists who wrote of her as, amongst many other accolades, Diana, Virgo, Oriana and Judith. Despite her attention to image and ceremony, Elizabeth was also famed and loved for her more personal touches. One of the most public of these was when she tickled Dudley’s neck when she created him Earl of Leicester.

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